MARK HARRISON VFX
2019/2020 Fast & Furious 9 (Lighting Lead) DNEG London
2019 Wonder Woman 1984 (Senior Lighting TD) DNEG London
2018 Venom (Senior Lighting TD) DNEG London
2018 Mission Impossible: Fallout (CG Supervisor) DNEG London
2017 Thor Ragnarok (CG Build Supervisor/ Lighting TD)
2017 Life (Lead Artist) DNEG
2016 Assassins Creed (Lead 3D Artist) Double Negative
2016 Star Trek Beyond (Senior Lookdev and Lighting TD)
Double Negative London
2014 Floogals (look development) Jellyfish
2014 Electricity (CG Supervisor) Outpost VFX
2012 Dark Shadows (senior lighting technical director) MPC
2012 World War Z (3D Generalist, Previz) MPC (Uncredited)
2012 Wrath of the Titans (Lookdev/Senior lighting technical director) MPC
2011 Harry Potter and the Deathly Hallows: Part 2 (senior lighting technical director) MPC
2011 Pirates of the Caribbean: On Stranger Tides (Lookdev/ Senior lighting technical director) MPC
2010 Harry Potter and the Deathly Hallows: Part 1 (Lookdev/Senior lighting technical director) MPC
2010 Aftershock (lighting TD) MPC
2010 Clash of the Titans (lighting technical director) MPC
2009 Case 39 (CG artist: Rainmaker)
2008 The Chronicles of Narnia: Prince Caspian (lighting technical director: MPC)
2008 Vantage Point (CG artist: Rainmaker)
2007 Fred Claus (CG artist) Rainmaker
2007 1408 (digital artist) Rainmaker
2007 Rome (TV series) (digital artist - 1 episode)
– Deus Impeditio Esuritori Nullus (No God Can Stop a Hungry Man) (2007) (digital artist)
2006 Garfield 2 (lighting: Rainmaker)
2006 The Da Vinci Code (3D generalist -Rainmaker)
2000 -2001 Audio Motion Various Projects. (3D Generalist
2016 Gangoul & Tricksy: Don't be Mean this Halloween
Mark Harrison CG Supervisor VFX Artist
Over the course of nearly two decades, Mark has worked on various projects in varying roles from 3D Generalist to VFX Supervisor within the VFX Industry.
His prime focus has been in the development and creation of visual effects for the Commercial, Broadcast, and feature film departments of some of the more well-known post-production houses in and around London, contributing to some of the most ambitious commercial campaign's and film productions, Harry Potter, Pirates of the Caribbean, Star Trek and Mission Impossible: Fallout to name but a few. These productions and many more have offered up a number of incredible challenges but given Mark a vast and broad experience of visual effects.
In 2003 Mark was recruited to work on the New Captain Scarlet at Pinewood studios. In a very short period as a 3D generalist, he was promoted toCG then VFX Supervisor working alongside the late Ron Thornton and Gerry Anderson to help complete several episodes of the groundbreaking animated Sci-Fi/Action TV show.
After Scarlet was completed he expanded his knowledge working in Bristol and London. His first job on a major feature film was with 'Rainmaker UK' who had won their pitch to create visual effects on the 'Davinci Code'.
From then on Mark freelanced in London pursuing his passion for Character and creature creation and Look development work which he ultimately found whilst working at MPC (Moving Picture Company) for more than five years.
In 2012 Mark was a member of the visual effects team who won a BAFTA for their work on the final installment of Harry Potter and The Deadly Hallows.
In 2013, Mark joined the Outpost's team in Bournemouth as CG Supervisor to create and deliver all the visual effects for the feature film 'Electricity'. A film produced by Stone City and directed by Bryn Higgins. This was a return for Mark to the 3D Generalist environment where it is necessary to not only organize and Supervise the project but develop your own shots for the film.
In 2016 Mark joined DNEG as a Senior Lighting TD on Star Trek Beyond and has since worked on a number of film projects in various roles. Mark worked as the lead on many projects, CG Supervisor on Mission Impossible: Fallout, and then continued as CG Lighting Supervisor until 2020.
More recently Mark has taken time to peruse his interest in creative writing. He has combined his knowledge of visual effects and animation in his storytelling to produce 'Gangoul and Tricksy: A VR Experience. Gangoul and Tricksy is the first of a number of projects set to be produced under the banner of the newly formed 'Shadoworks Animation'.
2018 The Dark Crystal: Age of Resistance. (Senior Lighting TD) DNEG.
2006 I Shouldn't be alive. 12 part TV series for the discovery channel (VFX Supervisor) 422
2003 - 2005 Captain Scarlet (TV series) (CG/VFX Supervisor: Scarlet Team - 8 episodes) Double Negative/ Scarlet digital imaging. The Indestructible Company.
Commercials 2006 - 2014
Hiede Theme Park - Demon 2014
Sky Christmas Ident s 2013 (CG Supervisor)
More Than Home Insurance (3D Animator)
Toyota Covered (CG Supervisor) MPC
Evian Baby (Lookdev/ Senior Lighting TD) MPC
Kerry Low Low Cheese (Senior Lighting TD) MPC
Trident Fresh (Lead Artist) MPC
Marks and Spencers Women's wear (3D Generalist)MPC
Cif Power cream 2010 (CG supervisor) MPC
Wrigleys Fruit (Senior Lighting TD) MPC
Orange Dial Hard (Senior Lighting TD) MPC
Plane Stupid Polar Bear (Senior Lighting TD) MPC
Sainsbury Car Insurance
( CG Supervisor)
(3D Generalist) Rushes
Coca Cola Beijing Olympics (3D Generalist)
Boomerang Channel Idents (3D Generalist)
Doctor Soft (3D Generalist) The Mill